Piano Teaching

The following quotations from Raymond Thiberge are from the book, “The Pianist’s Talent” by Harold Taylor:

Raymond Thiberge

Articles 

• “Curved Fingers - and Tension” By Richard Beauchamp
  This article was first published in CLASSICAL PIANO Magazine - March/April 1997 and has been slightly adapted for inclusion here.
• “Slur Technique” By Richard Beauchamp
  This is an important aspect of piano technique which is often overlooked but which is a key to the solving of many other technical difficulties
• “Glenn Gould and Finger Tapping” By Richard Beauchamp
  Was Glenn Gould's finger tapping merely an eccentricity — or a useful aid to developing a fluent finger technique?
• “Sight Reading” By Richard Beauchamp
  Hints on developing this essential aspect of playing
• “Rotation in Scale Playing” By Richard Beauchamp
  This shows a way of developing one of the many elements needed for fluent scale playing
• “Examples of passages which may cause problems due to tendon linkages or absences” By Richard Beauchamp (2002)
• “Stress in Piano Playing” By Richard Beauchamp (1999)
  Notes of a talk for a BAPAM conference in Edinburgh - aimed at physiotherapists and doctors
• “The Beast with Five Fingers”
  Video examples of piano playing techniques. You will need a browser which can display flash files
• “Random Ideas about Piano Playing and Teaching” By Richard Beauchamp
  Please send your own thoughts on piano teaching and playing to contributions@musicandhealth.co.uk
• NEW “What studying musicians tells us about motor control of the hand” — PDF NEW  by Alan H D Watson, School of Biosciences, Cardiff University
  This is a fascinating paper, published in 2006, which outlines some of the most recent thinking about motor control, coordination and musicians' hand dystonia. Clicking on the link will open a PDF file
• “The Ergonomics of Piano Playing” by Richard Beauchamp
  Slide show presented at BPAMT International Conference in 2001
  Download this file for your own use
• “A Look at the Muscles which Control the Fingers ” - PowerPoint Show - By Richard Beauchamp
  Showing the effect of interteninous connections on finger independence
  Thanks to PRIMAL for their great pictures

Resources 

• A scale, arpeggio and broken chord syllabus
  Covers all the keys in 10 stages, developing logically according to coordination patterns. Gives only the basic forms without variants of 3rds, 6ths, contrary motion, dynamics etc.
• Double third scales - PDF
  Fingerings for all the major and harmonic minor scales in double thirds
• Four Concise Exercises - PDF by Richard Beauchamp
  Four brief exercises which incorporate, in a nutshell, most of the essential movements and muscle coordinations necessary for aquiring a good finger technique. Practice them with care, especially those involving the 3rd and 4th fingers, avoid tension, and aim for comfort before speed. It is better not to practise these all in one sitting, but one at a time at different points during the day
  You will need Adobe Reader to download this file
• Triplet Broken Chords - PDF
  A rather neglected broken chord formula which is very useful to have ‘in your fingers.’ They are also effective as part of a warm-up
• Suggestions for practising - PDF
• Research Guide for Piano Pedagogy From Winthrop University
  Sheet music, theory, style, history of the piano, pedagogy, repertoire, prevention of injury and the online catalogue of the Dacus Library
• A Passion For Jazz
  History of Jazz music origins, styles and musicians featuring photo gallery, timeline, festivals, webcasts, piano chords, scales, online lessons and music teacher locator
• SchenkerGUIDE
  This is a brilliant website for those who know nothing about Schenkerian analysis, for those who have some knowledge but are still puzzled and also for those who know a great deal but would like to know more — Highly recommended
• TonalityGUIDE
  Really part of the above website - but well worth a separate mention. This is an excellent introduction to harmonic theory and analysis
  ‘TonalityGUIDE.com is a free resource for Level I university music students. It has been developed to accompany tutorials in 'Musical Techniques' at Liverpool Hope University College. TonalityGUIDE is partly funded by a PALATINE development award (the UK funding body for innovation in higher education).’
• Colin Ashworth's Web Site
  This is an extremely useful and well thought out site with musical links, music downloads and lots of material for academic music exams etc.
  There are music examples to listen to and to read in score as well as quizzes, tutorials and FAQ's
  I find his Twelve Tone Music page useful with its excellent links and articles
• Useful stuff
  Cut-out boxes for randomising scale and arpeggio practice, sol-fa charts, aural training, music paper etc.
  There is a new section for sharing fingerings for awkward passages
  You will also find some cut out scale and arpeggio boxes for cellists

Pedagogical Horror Stories

• Click here to read accounts of piano teaching as it once was - and sometimes still is!

Please send any accounts of piano teaching methods which may have been physically harmful to this address
I would love to hear from you

Books 

General

Reginald R. Gerig: "Famous Pianists and Their Technique": R.B.Luce: ISBN 0-88331-212-3

A compendium of contemporary writings ourlining the history of piano technique - possibly the best of its kind

Harold C. Shonberg: "The Great Pianists": Gollancz: ISBN 0-575-00418-5

More of the same, only more gossipy - excellent photos of pianists

Dean Elder: "Pianists at play": The Instrumentalist Co., 1418 Lake St, Evanston, Illinois (No ISBN No.)

Lavish and large - Excellent interviews and practice regimes - Recommended by Harold Schonberg

Elyse Mach: "Great Pianists Speak for Themselves" (two volumes bound as one): Dover: ISBN 0-486-26695-8

Interviews with 25 pianists - minimum interruption from the interviewer - good portraits

Amy Fay: "Music Study in Germany": Dover: ISBN 0-486-26562-5

A collection of letters to her family in America, written between 1869 and 1875
This must contain some of the best accounts available of the teaching of, Kullak, Tausig, Liszt and Deppe

Louis Kentner: "The Piano" (Yehudi Menuhin Music Guides): Macdonald: ISBN 0356-047148

A good brief guide, covering many topics from the making of the instrument to repertoire

Piano playing

Reginald R. Gerig: "Famous Pianists and Their Technique": R.B.Luce: ISBN 0-88331-212-3

A compendium of contemporary writings ourlining the history of piano technique - possibly the best of its kind

Otto Ortmann: "The Physiological Mechanics of Piano Technique" (1930): Kegan Paul, Trench, Trubner & Co Ltd (London): E.P.Dutton & Co (New York) - Now out of print

Solid gold. If you can find a copy, don't exchange it for anything. It can still be found through Amazon's second hand book service

Harold Taylor: "The Pianist's Talent": Kahn & Averill, London: ISBN 0900707526

A facinating account of the enlightened empirical approach of the blind piano teacher, Raymond Thiberge (see quotation at the top of this page). Taylor convincingly aligns Thiberge's principles with those of the Alexander Technique

Heinrich Neuhaus: "The Art of Piano Playing": Barrie and Jenkins: ISBN 0-214-65364-1

The Bible! - Don't be without it

Walter Gieseking and Karl Leimer: "The Shortest Way to Pianistic Perfection": Dover: ISBN 0-486-22867-3

The classic book about the art of listening. Required reading for students who dont!

Pedro de Alcantara: "Indirect Procedures": Oxford: ISBN 0-19-816569-2

An extremely enlightened book, showing the application of Alexander Technique to musical performance. To quote Sir Colin Davis: "There is much wisdom here in this book, along with some great quotations, many photographs, and exhaustive analyses of the aims and applications of Alexander's discoveries." Visit Pedro de Alcantara's website

Interpretation

C.P.E.Bach: "Essay on the True Art Of Playing Keyboard Instruments": Eulenburg Books, London: ISBN 0-903873-01

A book every musician should own, not only for information on espression, style and ornamentation, but also for its exhaustive section on figured bass accompaniment and improvisation

Robert Donington: "The Interpretation of Early Music": W. W. Norton & Company: ISBN 039396003X

Perhaps the best book available on this subject - revised by the author in 1992. Donnington is a scholar who does not provide easy answers
Read contemporary accounts and decide for yourself on how to interpret them

Arnold Dolmetsch: "The Interpretation of the Music of the XVII and XVIII Centuries": Novello: (No ISBN No.)

Written in 1916 and revised by Carl Dolmetsch in 1946, this is still valid, and a rich source of contemporary writings

Konrad Wolff: "Schnabel's Interpretation of Piano Music": Faber: ISBN 0-571-10029-5

Full of fascinating insights into the subtleties of phrase structuring etc.
Shnabel was a pupil of Leschetizky, and teacher of Edwin Fischer (who taught Brendel) - all part of a line of great teacher/performers who are outstanding for their depth of musical insight and integrity

Tobias Matthay: "Musical Interpretation": Ayer Co Pub: ISBN 0836951913

A brilliant book, full of insights about colouring and phrasing, by a much misunderstood and misquoted pioneer of piano pedagogy. Matthay was clearly an exceptional teacher

©Copyright Richard Beauchamp May, 2000 This page revised 07/10/2007 Disclaimer